These are the resources I use when I need motivation, inspiration, or need to learn a new technique. This is not an endorsement of any of the artists or by any of the artists.
Unfortunately, there are a lot of predators that use photography as a guise for their nefarious purposes. They sully the name of photography by preying on the inexperienced and sometimes experienced models. However, there are some things you can do to approach photo-shoots more safely.
1. ALWAYS verify any information given by the photographer. Ask for references from other models, MUAs, or anyone else they have worked with in a professional capacity.
2. Look at their work. If you are not comfortable with their style of shooting or the examples they show, then don’t do it. You can get your name out there without doing what you do not wish to do.
3. Take an escort to meetings and photo-shoots.
4. Use common sense. If something seems off or you just get a creepy feeling, then listen to it. Better to be wrong and be safe than to ignore it and end up in a horrible situation.
Photography and modeling should be fun, but in today’s world we all need to take the precautions. Be safe.
While on this journey, I have often sought out professional photographers in order to learn how to improve my skills with a camera. More often than not, that was detrimental to my experience. For several years it seemed as though the “professionals” weren’t very professional. The infamous “constructive” critique seemed like nothing more than a chance to tear down those who only sought to learn. It grew to a point where I just put my camera in the closet for long periods of time.
The thought of putting my camera down and giving up has never appealed to me. There is something I truly love about photography and garner great enjoyment from it. I stood by and watched as images of bus tail lights and plastic clothespins rounded up pages of compliments while it was a struggle to get any notice on my images. I knew, at the time, that my skills were not very good, but I did was seek out others to learn from their experience. It was met one time by a well-known professional telling me that I should just sell my gear and find another hobby. Needless to say, I felt devastated. At that point I closed any accounts I had with photography sites and gave up any hope of going any further, but the desire to learn more would not die so easily.
Over the years that followed, there were many discouraging experiences that kept the doubt and disappointment alive and well. Companies that stiffed on payment or breaking deals, which I could do nothing about because I didn’t know much about contracts. The lack of a business plan or a legal standing lead to a situation where I swore of working for one place I would have loved to work with. The quality I had been so desperately seeking continued to elude me. Still, there was a smoldering fire that kept my desire alive.
I think I have fallen in every trap a struggling photographer could. Advertising free shoots on Craigslist and investing far more than I was making with it. In the end, the result was all it could have been…a failure. My first photography business lasted three years and when I had to close it, the debt was burying us. It was to a point where we could not give a session away. Again, I knew the quality I wanted was simply not there. I wasn’t really interested in the types of shoots I was doing and believe it showed in the finished work. In addition, my Photoshop skills left a lot to be desired. Truth is, I was in over my head.
After that failed experience, it took over a year before I picked up a camera again. It took another year before I ventured back to working with people as subjects, but I was determined. Though I have met several people over the past two years that have helped me with ideas and working on skills, there was one photographer in particular that gave me the one nudge I needed. I was hesitant to even contact him due to being burned so many times, but was surprised when he answered right back with the answer that gave me the direction that was desperately needed.
Now Cross & Clove Photography has become the culmination of all I ever worked for and toiled for. Now, I can offer the quality and the style I sought for so many years. I must also admit, I enjoy the attention my work has been getting. It is a vindication for all of the disappointment and destructive comments that were endured to get to this point. There has been one side effect though, I am hesitant to approach other photographers. This year, however, I reached out and introduced myself to a few I had been following their work, and am hoping to work on collaborative projects with some of them and learning more from others.
That is how Cross & Clove Photography has come to be, albeit the short version. Doors are beginning to open now and all of the trials have become worth the turmoil of before. I have also realized that all of the negativity forced me to be more critical of my work before posting or sharing it. To all those that said I could not do it and should give up, guess what? I’m doing it, and I am doing it my way.
When I was first learning about my camera, beyond the auto mode, I made the mistake of asking for a critique by a group of so-called ‘professionals’. They’re images were as perfect as they could be, but their comments were anything but professional. One even told me that I should just quit and sell my camera to someone that knows how to use it. All because I asked what I need to do to reach a desired skill level.
To be honest, there have been a few times that I just wanted to hang it up, sell everything, and just be done with it. Mostly because of how someone else viewed my work. When people who do this for a living are completely tearing you down in a personal way, it can have severe effects on a person. It can destroy your self-confidence, it can teach you not to reach out for help, and it can cause a complete disinterest with continuing photography. Of the whole group, there was one that actually gave some good guidance which permitted me to grow a little more as a photographer.
Unfortunately, most of what you find are arrogant photographers that either feel threatened by you, simply lack any class, or are only in it to tear people down. It is almost obscene at what they will tell people about their work. An art that is as subjective as photography really cannot be corralled into a small frame that fits everyone’s ideas. Sure, technical stuff can be critiqued, and personal opinions can be offered, but it doesn’t have to be done harshly.
I know there is a belief held by some that harsh is the only way to make new photographers learn, but that is delusional at best. In fact, it can cause them to give up and never even pursue it anymore. Someone out there could be the next Ansel Adams, but because of some rude or harsh words chose to give up. In my opinion that is robbing the world of a potentially great artist.
It took many years and even more rude peoples before I realized something. I shoot what I see, not them. Anything that I put in a picture is because that is what I saw. It doesn’t have to match someone whose skills may be better. I shoot my ideas based on how I see them. I don’t ask for critiques because most of the time, those people were not there. They don’t know what I saw or even what I was trying to achieve. Now, I shoot for myself. I do not open myself up to negative people that seek only to destroy their perceived competition.
One site I am a member of has a very good policy for critiquing. One positive comment, one constructive comment to improve something, followed by another positive comment. That is a good way to teach someone how to do it better next time, not humiliate them and make them doubt their vision. After all, no one is born a professional, everyone has to learn to be the kind of artist and person they want to be. I refuse to let those bad seeds in the photography community tear me down. I shoot for me. I shoot what I see, and that is good enough for me.
In today’s world, our kids are preoccupied with television and video games, finding things that can hold their interest may be a challenge. Something as complicated as the art of photography seems like a daunting task to begin teaching them, but there are ways to make it fun and entertaining. Forget explaining the technical aspects otherwise they will get bored and not pursue it further. It must be fun for them, so here are a few ideas to get started with it.
Break out some of their toys and work with some forced perspective ideas. This will show them how to use angles and focusing to achieve various effects and illusions. It will make them slow down and think more in depth about each shot they take in addition to showing them what the aperture part of exposure is for.
A photo scavenger hunt is a great way to teach creative thinking and seeing things more like a camera does. Pick a color or a letter of the alphabet for them, then send them out to find items that match the color or letter you chose for them. There are a lot of possibilities with this and it can be done in a park or in your own home.
A trip to the zoo could be the perfect foundation to start teaching how to hold the camera, composition, and subject matter. Ask them to write a short article about their trip to the zoo and add the images they took to it. Kids will be more observant of more details if it is for a purpose they can understand and enjoy.
Open a dictionary and pick out several words for them to build a visual. This can be fun as well as educational, teaching creative thinking and to use their imagination to see things in different ways. Kids will learn to look at things around them in ways they never have before.
While doing all of the above, you can use different settings on the camera and give them a simplified explanation on what they do. No kid cares or wants to listen to a bunch of technical jargon, so keep it simple for now. There is plenty of time for that once they have a good foundation to build on.
If you know of more ideas, please share them in the comments.